Treasures at one dot on the map in North East Slovenia

There’s more to Slovenia than Lake Bled, Postojna Cave and its beautiful capital city, Ljubljana. If you spread out a map of Slovenia, close your eyes, circle three times and pinpoint a spot, I can guarantee without hesitation that you will find treasures worthy of exploration: be they natural, cultural, historical or culinary. If you get really lucky, and that’s not hard in a country with such diversity and breathtaking landscapes, you will find all of those elements in close proximity. Working with a local guide adds even more value.

A recent example of this approach took me to north eastern Slovenia – itself a little off the beaten track – and specifically to Slovenske Konjice with tourist guide Mateja Kregar Gliha who in turn enlisted the help of local tourist guide, Nina Buh. It all started with a place called Žiče. Unusual name, I thought. And I wondered what I might find there. Sure enough, a little research unveiled the Charterhouse which in itself aroused my curiosity, and the large town nearby, Slovenske Konjice. That’s how it happens with Slovenia and me. Before I knew it, Mateja and Nina had filled in the blanks, so to speak, and lined up an array of experiences. By the end of the day I’d been filled to overflowing with the following, all within a stone’s throw of Slovenske Konjice, and who would have known!!

Tree Top Walk Pohorje on Rogla

Open for only a month at the time I walked it, this is an inspirational wood structure (brought in kit form and assembled on site with local materials and expertise) in the spruce forest just over the hill from the Rogla ski slope. The boardwalk rises steadily from ground level to 22 metres until one is making eye contact with the tips of the tops of the trees. Breathe in, breathe out. Along the way one can engage with information boards and interactive tools specifically targeting rock formation of the area, animal life and plant species. There’s also a trampoline for those with bravery and daring, and a clatter bridge for those who like to add some challenge to their balance and vertigo limits. The boardwalk leads to a tower that takes the walker another 17 metres higher. The walking gradient is 6% and again quite manageable for anyone, including those with a mobility aid. And from this vantage point the views of the Pohorje and the distant mountain ranges are spectacular. Already and deservedly the Tree Top Walk Pohorje with nature as its focus is attracting hundreds of visitors each day. It’s suitable for all age groups and accessible for all abilities.

Zlati Grič Wines

While the natural plant life of the forested areas around Slovenske Konjice is a mixture of various deciduous and non-deciduous species, the cultivated plant life is largely the grape vine. The view of their rows of vines juxtaposed in various directions and displaying a full range of autumn colourings is uninterrupted because the relatively new Zlati Grič wine cellar is completely constructed underground. All that’s visible from the hilltop is a green mound and a large skylight. Production is largely white wines, but some of the lighter reds like Pinot Noir and Blue Franconian are making their way into the range. I chose to taste Konjiška Penina in both white and Rosé (because it was a sparkling kind of day) and was intrigued that Zlati Grič has adopted the practice of serving sparkling wine in white wine glasses – to allow it to be tasted at its fullest and best. So much better for tasting! Both wines were clean and refreshing with a fine lingering bead. My third taste was a four year old Chardonnay. That one was like gold in a glass – all the characters of a good Chardonnay. I could have finished the whole bottle. On my own! Even though it’s underground, the wine tasting area offers a splendid view of the lovely old mansion house across the road and up the hill. And the vineyard workers busily engaged in autumn tasks.

Gostilna Grič

A short distance up the road and past the golf course is Gostilna Grič. The earlier tasting led me to Chardonnay once again as my accompaniment for a food choice from the day’s lunchtime specials: sea bass served on sweet potato purée with large black mushroom crisps, broccoli sprigs and wedges of crumbed mushroom. That was a taste sensation. The mushroom crisps were a first, and I hope not the last. Delicious! From the dining area adorned with wall to wall glass, my eyes could feast on bucolic views of the surrounding vineyards, golf course, and the 15thC Wine Growers’ Mansion offering accommodation in the form of three apartments. After lunch it was very tempting to remain there, in the sunshine, beholding the landscape and letting one’s eyelids relax a little, and a little more, but we had things to do and places to be…

Slovenske Konjice Old Town

Another short drive, and before my eyelids had a chance to reach the second level of relaxedness, I found myself exploring the core of the old town of Slovenske Konjice. It has that sense of stepping back in time; nothing hurried here, just the occasional car making its way along the narrow throughway between buildings and stream. The stream tumbles gently downhill and through the square from the park to join the river at the lower end of the old town. There’s something refreshing and invigorating about walking beside flowing water. And I couldn’t help thinking how lovely it would be to be living in one of the row houses, with front windows overlooking such a life-sustaining element. Up at the edge of the park, the bells from the Church of St George ring through the town as time passes, and further up the hill Trebnik Mansion stands supreme. The facades of the houses lining Stari trg (Old Square) add a splash of pastel colourings as they stand cheek by jowl observing the day’s comings and goings. It was time to move on…

Žiče Charterhouse

The narrow valley of the Žičnica stream leads to a secluded site where the Carthusian community established their first monastery outside of France in the 12^th Century. Dedicated to silence and solitude, the philosophy of The Order can easily be imagined when one is at the site. It is protected on all sides and appears as a world within the world. Some of the buildings have fallen victim to time, and various plants have claimed them as their own. And those buildings that have survived since the Carthusians abandoned the site have been thoughtfully renovated. One houses a museum with a host of really interesting aspects from the centuries of activity. Many significant building stones and stone features have been recovered from buildings in and around Slovenske Konjice. At the time when many buildings were constructed from wood, the town burnt down and the townspeople were invited to use stone from the abandoned Charterhouse site to rebuild their homes. There is an extremely solid white marble table with two equivalently solid L-shaped seats taking pride of place in one museum room. The seats were discovered in a home where they had been cut to make four stairwell steps. Now they have been restored to their former glory and sit as a set with the table.

The guesthouse near the entrance to the monastery was established by the Brothers of the Order in the 15^th Century and was the first of its kind in Central Europe. Meanwhile the Monks were engaged in writing, copying and illuminating manuscripts. Some of their incredibly scholastic work can be viewed in the Museum. Local guide Nina’s knowledge of everyday life as it happened here at the Žiče Charterhouse was invaluable and added so much more to the experience. Of course there are mysteries too, like where the substantial library was situated (given the humidity in the valley), and this poses thoughtful discussion among visitors. Plans are afoot to further develop the wine cellar and the apothecary. The sun was beginning to dip behind the mountain tops, but there was still one place to see, or should I say to embrace diversity and treat my olfactory sense…

Zeliščni vrt Majnika

In the lingering light that heralds the end of an autumn day I encountered the delightful herb gardens of Zeliščni vrt Majnika. The harvesting of herbs had almost been completed for the season and so the plants were finished with growing and looking very much as though they were sporting fresh haircuts for winter. Even so, it was possible to see the scale of the operation, and to imagine more hectares located offsite. To peep into the processing room where trays and baskets of freshly cut herbs were waiting to be dried was like scent heaven – just as the outdoors garden is a pollen and nectar heaven for bees and birds. Most of the dried herbs are directed into teas, one of which I tasted while viewing the indoors operation, and salts. Zeliščni vrt Majnika products are available in various locations and they offer a range of workshops throughout the year, also conducting guided tours. I think that this herb garden would be worth visiting each season to observe the changes and practices associated with growing herbs organically.

#touristguides #sloveniaguides #localexpert #argos #localguides

Slovenia Štanjel

Spacal, Štanjel, & Facing Me

It all started on the day I walked into Galerija Hest, in Ljubljana, came face to face with it, and stopped dead in my tracks. My eyes beheld it and my heart knew it. The layers I’d been peeling away little by little during my existential crisis were staring back at me. My eyes travelled down, down, down, layer by textured layer. You have been progressing, they proposed. Yes, I agreed, these recent days had been something of an epiphany. At that moment I knew the Lojze Spacal print transfixing me was going to be making a long journey back to Australia. That was in 2012. And I carried it all the way.

Five years later, the Spacal print still lives with me on a daily basis and I am on another journey. A pilgrimage if you like, to the village of Štanjel in Slovenia where a large collection of Spacal’s work is on permanent display at Štanjel Castle. It’s a journey I feel compelled to take. There’s not exactly a direct route from Ljubljana, it involves one train change and a wait there and back, but it’s do-able in a day. With planning.

Once out of the Štanjel train station area, I figured I had to head in the general direction of the castle on the hill, clearly visible. So that involved a climb. And I couldn’t help thinking how everything new and unknown that we tackle involves a climb of some sort, whether it be through hoops, up rock faces, or out of the depths of darkness. The climb was a good opportunity to notice everything around me. I stopped to admire the view more: the funny molded concrete picket fences broken here and there (were they remnants of the days of Communism, I wondered), the lush green summer field grasses and smiling flowers, the wood-stick low fences, stacks of timber ready for winter fires, and pomegranates, walnuts, figs, apples, vegetable plots. It was lovely and the climb subsequently diminished in enormity.

As I sat under the large beech tree and some neighbouring pines in the castle courtyard, preparing to encounter the Spacal collection, the church bell of St Daniel chimed 12 midday. The ‘angelus’ call, how timely!

The stairs were wooden and they creaked, so I couldn’t really sneak up on him! Neither could I approach my encounter in silence. I can’t tell you what it was like, to be surrounded by so many of his works arranged in order from his earliest to his latest. When I gazed at them it was like being inside his head. I so get his thinking. I so see how he sees, because that’s how I view and experience the world around me. I always look at shape and line first, and a feeling always surfaces. I can easily reduce a complex scene to its basic forms. And I did delight in his offerings, to see his world, his landscapes, as he expressed them: scenes from his home life, the Karst, and the coast, and especially the salt pans which must have held an added attraction for him. I found it so affirming to be time-warped amongst them and I had an impulsive urge to learn about woodcuts, for they express his style so admirably. His early works are stylised and simple two dimensional forms, with more colour on the whole. Then he moved into a period where he added much more detail, even though he kept to line and shape. Less colour there. Those are very complex. And then later he moved back to simpler forms beautifully arranged, with maybe just one or two strong colours. They are his crowning glory.

And so if we can reduce what we see around us to its most elementary form in art, isn’t there a lesson here? Why do we hold and carry so much clutter in our heads, our lives? Why do we feel the need to do this? What can we reduce to simplify our lives, to really notice what’s around us, and in us? To acknowledge it, and own it? As I enter a phase of my life where it feels important to be stripping away non-essentials I receive and hold Spacal’s offerings even more.

I mused on those things as I walked the Fabiani path around the Štanjel fortifications, sallied in the Ferrari Gardens, and entered a more wooded, enveloping laneway past a paddock full of donkeys to the village of Dolnji Kobdilj, typical of Karst villages. I had to smile. The donkeys weren’t a bit interested in me. They had it all worked out. They were perfectly content just being donkeys, and doing what donkeys do. Couldn’t be simpler!

Some notes on Štanjel itself :

Stanjel, especially the castle area, is one of those intriguing places that appears to be suspended in time. While the castle hill has been settled since prehistoric times, the main part of what can be seen today started out as a fortress to protect the locals from potential Ottoman attack in the 15th Century. As with all places of strategic importance, it underwent various changes over time! And it’s these changes, the hidden and surprising delights, that make the experience such an enjoyable one.

Between the two World Wars a resident architect, Max Fabiani, who also happened to be the Mayor, was instrumental in the legacy of Karst influences that remain and are evident throughout the buildings in the town. Unfortunately, towards the end of WWII, fire destroyed part of it and much damage occurred. Today there are still workmen busily restoring this beautiful piece of the past. I was intrigued with the stone gutters suspended along the edges of slate roofing, and the large fountains into which the water drained.

The Ferrari Gardens were designed by Fabiani to complement the villa of one Dr Ferrari from Trieste who planned it as a sanatorium for people suffering with lung diseases. And in and around the main square, the village of Kobdilj boasts three “spahnjenca”, typical of the Karst region. They are kitchens, separated from their main buildings, with distinctive tall chimneys. Apparently quite rare. The Fabiani Path, which I walked, links all of these places.

around Grosuplje – gems lie waiting off the beaten track

Pull up a map of Slovenia, pick a spot, and I guarantee that you will find a path with enough cultural and historical treasures to fill at least a day, if not more. Engage a Tour Guide from the Association of Regional Guides of Slovenia (ARGOS)* and your time will be truly value-added.

Case in point: the countryside surrounding Grosuplje, just a stone’s throw southeast of Ljubljana and within the shadow of Magdalene Mountain, a prehistoric site of ancient dwellers. From the highway heading in the general direction of Novo Mesto I’d passed the signs to Groslupje many times, but never imagined what was lying in wait!

There’s something intriguing about encounters with food. Especially when those encounters reach back into times gone by, times when people ate only what they grew or raised, and made the best possible use of the excess by preserving it in some form. In the village of Gradež, just a short distance east in the general direction of Turjak, villagers have restored Sušilnica sadja Gradež (a fruit drying house), now something of a rarity, and revived the associated food and drink traditions of the region. A summer walk through the village revealed fruit trees in their plenty: apples, pears, and plums – with dense dark green foliage and fruit ripening to fullness. Come autumn it will be cut and dried, without additives, on large wooden trays inserted into a giant closet. A fire of oak and birch will be lit underneath and the fruit will dry slowly until it is ready for consumption. “Trubar’s Meal’, a staple from days gone by, is offered in the heritage-furnished rooms behind the drying room and it was indeed an encounter of a special kind.

Visually Trubar’s Meal spoke of simplicity: a ceramic bowl of millet porridge, a wooden spoon placed carefully next to it, and a tin mug of dried fruit-infused tisane. Texturally the millet had a grainy consistency. A sprinkling of sugar added a crusty layer of crunch with the first mouthful. As the spoonfuls disappeared inward another surprise awaited: the softened leatheriness of plump boiled prunes, adding natural sweetness and contrasting smoothness. A perfect pairing indeed!. Soul in a bowl! A basket of dried fruit bread completed the offering. For someone not raised on millet it was a unique experience, not to mention discovering the many ways that dried fruit was utilised in the everyday diet.

Just a little to the east, and at the end of a narrow winding track snaking off from the road between Grosuplje and Škocjan is a building of rare occurrence in Slovenia. It is Tabor Cerovo, a small fortified church sitting proudly at the top of a hill within a thickly wooded forest. The pretty little church itself dates from the 12^th Century, the fortifications were added in the 15^th Century to shield the locals from attacks by the Turks as they forged their way north towards Austria, and the frescoes of such ageing clarity were added in the 16-17^th Centuries. A climb to the top of the tower revealed why the positioning of little church was one of such importance. Like pushing one’s head above the clouds, it takes in views above the treetops of the rolling hills of Doljenska, a great advantage for ‘receiving’ news, potentially un-welcome, in times without Internet!

A short distance south of Tabor Cerovo one finds Županova jama (Mayor’s Cave). The familiar white Karst rock peeps above ground here and thrusts upwards there, mosses and tiny ferns grow in crevices and on impossibly vertical surfaces, and the forest trees cast their protective arms over the whole scene. While the caves of Postojna and Škocjan are well known to tourists and locals alike, this lesser known cavernous treasure of 8 halls is also part of the geological structure of the Slovene Karst. 610 metres of viewing path within the 8 halls reveals sinter pools, stalagmites and stalactites, columns and flowstones. It is also a really cool place to be on a hot day, which it was when I visited!

From the confines of thickly forested hills to the open spaces of Radensko polje there couldn’t be a greater contrast. With tractors moving about like giant red beetles, and crops growing almost before our eyes, it was hard to imagine the unpredictable nature of this specific natural phenomenon that stretched out before us. These fields sit on Karst country, and they come complete with sinkholes, springs and estavelles synonymous with karst. Water from river and spring sources fills the polje, and just as quickly it disappears only to rise up kilometres further on, feeding the Ljubljanica River to the west, and the Krka River to the east. I could only hope that the farmers get their timing right when it comes to sowing and reaping. Imagine the heartache if they didn’t! Then again, the vagaries of the polje are well known.

*More information about these places and more in the area can be found by contacting local guides at this link ARGOS https://www.facebook.com/AORTGOS/

An Historic Pathway – Ljubljana in the Communist Era

A sense of curiosity seems to come naturally to me, especially for those things I have never experienced directly. I would put Communism in that category. As I move around Slovenia I experience the country as it is now. The books I read give me some glimpses into the difficult days spanning pre-WWI, through WWII and into the struggle for independence: The Tree with No Name, Northern Lights, Joyce’s Pupil (Drago Jancar), Murisa (Feri Lainscek), The Hidden Handshake (Ales Debeljak), Portrait of the Artist as a Young Man (James Joyce), Fuzine Blues (Andrej Skubic), and the poems of Srecko Kosovel. An opportunity to learn more, experientially, presented itself in the form of the Ljubljana 4-Hour Heritage of Communism Tour, the brainchild of Lidija Deu and Mateja Kregar Gliha, both of whom grew up in post-WWII Yugoslavia – Lidija in Ljubljana, and Mateja a stone’s throw from Ljubljana. Through their eyes and memories, stories and anecdotes, I came closer to understanding life and living during the days of Tito’s leadership.

INDUCTION

Resplendent in blue caps and red neck scarves, we took part in a ceremony re-enacting the graduation of elementary school students to the status of Pioneer. This ceremony, on the Day of the Pioneers, was carried out on September 29 each year from 1947 until 1989/90. The caps and scarves were prized possessions, worn on all special occasions.

NEIGHBOURHOOD PLANNING

The beginning of the Sixties saw intentional urban development modelled on neighbourhood planning methods via Sweden. Walking through one of these communities was certainly an eye-opener. Savsko naselje, Lidija’s home as a child, comprised approximately 2,000 apartments and housed 7,000 people. Down every street, and around every corner, she burst with enthusiasm and happy memories of the time she spent living and playing with her neighbourhood friends. Everything was included in the planning: shops, services, schools, day care, sports facilities, playgrounds. It is a very green area, with grass and tree-lined streets. Each neighbourhood includes unique car parking arrangements. I’d always wondered what purpose those structures served. Now I know! With its level of greenness and its proximity to the centre of Ljubljana, Savsko naselje is a desirable address today and maintains its property values.

ARTEFACTS & GOODS

A wonderful display of manufactured products from the era is housed in the Museum of Contemporary History. Some of the goods continue to be produced to this day, others are lovingly remembered and stored in memories of the past. The production of milk over time, and its related purchase cost, was visually represented with coins. It’s a good thing we have paper notes now, or our wallets would have to be monstrous! Another insight was the vast number of badges produced as incentives to employees for commitment to their work. Both Lidija and Mateja reflected on their personal collections of these. Gamification has all kinds of applications! And an encouragement to save was represented by an array of money boxes from metal and clay to plastic.

THE SNACK-ATTACK PACK

All senses were catered for. Even taste! This came in the form of a “Communist” snack. First of all there was a bottle (original packaging) of Cockta, a soft drink that went onto the market in 1953. Made from dog-rosehip and 11 secret herbs and spices, it’s not unlike but beats Coca Cola handsdown. In my opinion! For the sweet-tooths there was a packet of Kiki candies. And for savoury lovers there was a bread roll, zemljica, together with Kekec (he’s a character from children’s literature)brand speadable paste. What more could anyone want during an absorbing afternoon of immersion in all things communist?

BUILDINGS

I was really surprised to learn that the Parliament Building dates back to the late Fifties. The clean lines, contrasting textures and colours, and the arrangement of figures around the entrance I find particularly appealing. In the same way, the simplicity and style of the Gallery of Modern Art entirely suits its purposes, and this building, too, is a product of the Communist era. Not quite in the appealing category, but no less significant are the ‘twin towers’ on one side of Republike trg. They were the HQ for Iskra, one of the largest Yugoslav workers’ self-management systems – capitalism under the red banner – a system created by Edvard Kardelj and epitomising Yugoslavia’s specific economic and ideological path. An example of one of their enterprising items was the telephone…so advanced for its time that it was chosen as the means of communication for the Moscow Olympics.

FIGURES & MONUMENTS

Every society remembers its past and its figureheads with monuments dedicated to their memory and contribution. And Slovenia is no different. What characterises her public works is a sense of solidarity. This manifests itself in the materials, styles, sombre colours and the subject representations. The most significant are clustered around or near Republike trg (Republic Square) where independence from Yugoslavia was announced on 25 June 1991.

Pathways Around and Beyond Crni Vrh

I am in Crni Vrh. Or am I on Crni Vrh? Crni Vrh translates literally as “black peak.”

A very small, somewhat elongated village, it is to the west of Ljubljana, Slovenia, about one hour by bus. Elevation is approximately 800 metres. The view, from my traditionally-styled, timber-structured accommodation is to the south, with the sun rising to my left and setting to my right.

Immediately below me, and down a very steep incline, a small valley opens up. A stream, thickly forested on either side, snakes its way around the undulations within the valley. The road to Polhov Gradec weaves its way ever downwards, playing hide and seek with the trees and smaller sloping hills. Clusters of farm buildings occupy lush, cleared areas where agribusiness prevails.

Tractors haul gigantic bales of fodder from fields to farm sheds, chainsaws make short work of fallen timbers for winter heating, the last of the summer fruits are gathered, and gardens are being prepared for the winter season. Here and there cows dot the landscape, moving slowly as they graze on grass and carry out their roles as milk-making machines. The scene looks like a giant golf course, the only difference being that the bunkers are green, and the players are vehicles and animals.

Beyond the valley receding rows of hills and ranges, there must be at least five that I can count, stretch into the hazy distance – probably into Croatia. At night I can see the lights of Vrhnika which lies on the road to the coast. By day I can count three churches perched precariously on distant hilltops. If I walk to the top of the hilltop nearby where, you guessed it, there is a church, I can count another two looking in the opposite direction. Time passes and things change, but it is said that from any vantage point one should be able to see seven churches. And that’s across Slovenia!

So why am I here? Well, it’s all because of a story. And even before I get into that story, I happened upon a quote from Jungian analyist, Clarissa Pinkola Estes, just this morning: “. . . go out and let stories, that is life, happen to you . . . work with these stories from your life . . . water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom.” It couldn’t have been more timely, or more appropriate.

This world, in Crni Vrh, is all new to me, except for what I know from Ted Setnikar’s book, The Lacemaker’s Son. I am re-tracing some of his steps while creating a story of my own: two vastly different periods in time, and two different sets of circumstances. Even so, we all share a common purpose – to find ourselves.

As I lie in a warm, cosy bed staring out at the sun-bathed landscape that was home to Metod (Ted) in his formative, early years, I am reminded that his bed was the best he could construct with hay and rags in a farm out-building. It was just after the end of WWII, and things were tough. His working day, as a child, began before dawn. And in the bleak days of winter, rags tied around his feet served as shoes. Nature, and in particular the forest, became his friend, his retreat, and his sanctuary – places where he found peace for his troubled soul.

I wondered what would unfold for me as I ventured out towards the village. As I began the ascent the first of my sensory experiences was the unmistakeable, earthy smell emanating from a dairy. The next was a friendly greeting from one Golden Retriever who decided I was to be his friend for the day, or at least for as far as he decided he would accompany me. This was followed, at the junction of my path and the main road, by an exchange of pleasantries with a smiling, elderly lady busy in her garden (planting asters, actually). I spied the school, the three-storeyed building perched neatly on its rock-solid base at a bend in the road – the school that saw less of Ted rather than more, for reasons that the book explains – and which I will not spoil! On I went, looking this way and that. Round this corner and the next. I wondered which house was the Priest’s, the Priest who would not share a slice of bread for a hungry child. And where was the store? Not there anymore. A crumbling shed caught my attention. It’s timbers were giving in to the elements. But it had character. It spoke of a life well-lived, and not quite over yet.

I passed the bus stop, where someone had installed an upholstered seat from home. I smiled.

At the next road junction I was drawn to the church. Does a church on a hill have magnetic appeal? A hidden force with a beckoning come-hither? This one did. Up I went, around the hill until I reached the top and 360 degree views. For how many people has this been a place of worship over time? Who were these people? How did they view their life here, in this one small part of the world?

Back at the junction I could see Mt Triglav, Slovenia’s reference point. And I walked in that direction, ultimately drawn to a forest path where I found my own place of solitude. No agenda. Just a place to be open. And to receive. To feel connectedness with the ebb and flow of life all around me, and the energies and vibrations of the universe.

Ted moved on. Over the years he watered his story, and to quote Pinkola Estes, “burst into bloom.” His story has touched the lives of countless people, including mine. It takes time and it takes courage to journey within, to let go, and to find one’s true self. And it can start in any place. A place like Crni Vrh.

Piero Della Francesca’s Balconies

Normally, and naturally enough, our eye is drawn to the subject of a painting and we don’t always pay a great deal of attention to the background.

Correspondingly, when we are in the countryside we are often transfixed by a scene that we might call picturesque or even sublime. But do we think of it as the possible site or making of a masterpiece?

During the Renaissance, an area know as Montefeltro straddled parts of what is now Emilia Romagna, Marche, Umbria and Tuscany. An art research project has identified 7 sites usied by Pierro della Francesca as backgrounds in 8 of his paintings. These sites, or balconies (cultural and panoramic viewpoints), are moving towards pilgrimage status.

Here’s one of them…Portrait of Battista Sforza. In the background the valley of the Marecchia River.

And here’s another one. Portrait on a Bad Hair Day. Same location, haha!

Wanderings in Rimini

Shrouded in a pale grey veil. Colour and place come to life as the sun emerges victorious: blocks of glistening marble on the Roman bridge, painted houses squeezed tightly into narrow streets, bobbing yachts on the Marecchia, a still Adriatic stretching and merging with the horizon, the ‘wedding cake’ Grand Hotel,…